Hounddog taylor torrent
Taylor played fast, loud and sloppy, and would sometimes hit bad notes or get out of tune. But he always made primeval, soul-satisfying music. Nobody could match him when it came to emotional fervor and the pure joy of making music.
Now, for the first time in 22 years, there's finally more Hound Dog Taylor music to be heard. Taylor's wild guitar exuberance and joyous, soulful abandon fuel each and every song. Three instrumentals on the CD showcase Brewer Phillips' crazed lead guitar playing. Born in Mississippi in , Taylor didn't start playing guitar until he was He worked as a sharecropper by day and played at Delta juke joints and house parties in the evenings.
After a harrowing encounter with the Ku Klux Klan in he had a cross burned in his yard , Taylor moved north to Chicago, where he performed at the famous outdoor market on Maxwell Street, competing for tips with Muddy Waters and Robert Nighthawk. Hound Dog played in ghetto bars at night while working a factory job until the late 's, when he became a full time musician.
Both records were good local sellers but went largely unnoticed outside of Chicago. A session for Chess remained unissued until the 's. Taylor toured Europe without his band as part of the American Folk Blues Festival, playing behind Little Walter and others, but never got a chance to show European audiences the magic of his own music.
Hound Dog Taylor and the HouseRockers appeared at the second Ann Arbor Blues Festival in and became a featured attraction at the third, fourth and fifth Ann Arbor Blues festivals , playing to thousands of cheering college kids.
When his Alligator album hit the streets in , Taylor's transition from local hero to national and international blues icon was almost immediate. He began touring the country, continuing to win new, young fans. Phillip's Theme Wild About You Baby I Just Can't Make It It Hurts Me Too Give Me Back My Wig E aggiungeva: «Non fatemi il funerale ma organizzate una grande festa». Burnside e dai suoi epigoni T. Taylor era un chitarrista vigoroso e trascinante, con lo slide che scivolava sulle corde come una scheggia impazzita.
Le aggrovigliate esplosioni della sua vecchia chitarra la suonava spesso sdraiata sulle ginocchia hanno anticipato le evoluzioni di Jeff Healey e Ben Harper, che si ispiravano a questo vecchio nero sempre ubriaco, senza denti e con l'eterna sigaretta pendente dal labbro, che ha suonato a tutto ritmo dal secondo Dopoguerra alla sua scomparsa.
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